Review: "Champion" by Marie Lu

Daniel Altan Wing isn't the only champion here. Marie Lu is one as well - of the YA dystopian genre. She has managed to conclude the Legend series without declining the intensity of the story and without deviating from the core of her characters' - Day's and June's  - identities. She's maintained the tone of the series throughout all three books - something I felt was lost in the final books of The Hunger Games and Divergent trilogies (just for the record, though, I did enjoy those series as well; just not the third books as much I did in this one).  

Lu also manages to keep the genre fresh. With more and more YA dystopian novels coming out, and many with strong female protags and with the Legend trilogy coming out so soon on the heels of The Hunger Games and side-by-side with Divergent, Lu's voice and vision avoids the reader from developing a feeling of 'been there, done that.' 

Great stuff! I'm very much looking forward to what Lu gives us next; perhaps a Legend spinoff with Tess as the protag or something new set inside a video game. Whatever it is, I know I'll be getting a copy on release day.

Review: Proxy by Alex London

In a word, Alex London's Proxy is 'lux.'

I didn't know anything about Proxy when I first saw it at Barnes and Noble. The YA sci-fi dystopian was in its own display rack, adjacent to the other teen and YA books, and its shiny cover, with mirror image faces, like when you look into a brook, and catchy one word title caught my attention. So, I walked over and grabbed a copy. Then I flipped it over to read the book blurb but what I found was not the book blurb but, probably something more influential. (When I was growing up, book blurbs seemed always to be on the back cover. Nowadays, with hardbacks anyway, sometimes they're on the front flap.) My instinct to turn to the back, then, wasn't fluke or happenstance. What I found was advance praise from two authors who are among my favourites; authors who've been very supportive of my own work and one of them is someone I've  studied under - Marie Lu (Legend, Prodigy) and Matt de la Peña (Ball Don't Lie, Mexican WhiteBoy, The Living). Seeing their endorsements of Mr. London's Proxy was enough for me to buy the book and, once I turned the final page, I am (not surprisingly) glad to report that both endorsements are spot on.

In a future  where the rich have everything and the poor much less of it - strikingly similar to our world in 2013 - the rich have the additional luxury of having their debts and punishments satisfied by someone else. Hence the title. But as things come to a head that even Knox, one of the book's protagonists - the rich one - can't simply turn the other way and let the system run as it normally does, he decides to help his proxy, Syd, escape from one destiny to fulfill another. Accompanying them is Marie, another affluent member of society, who has her own set of reasons to flee the city for the outskirts of a deserted wasteland in search of the rebel group known as The Rebooters. Pursued by Knox's powerful father on one side and underground mercenaries, The Maes, on the other Syd, Knox and Marie undergo a breathtaking, twist-turning series of adventures that sets the stage for volume two in the series. For those of you of a certain age and who enjoyed the movie Logan's Run, reading Proxy made me, on more than one occasion, think about the 1970s sci-fi thriller. I emailed Mr. London and asked if the movie had served as any kind of inspiration. He replied by telling me it hadn't, since he hadn't seen it, although he did say he may need to watch it since I wasn't the first one to bring up this similarity. Publisher's Weekly did so in its review. 

Proxy is a fast read, with its exciting storyline and (gentle) slap in the face twists. Mr. London deftly executes page turning excitement with efficient, yet, illustrative sentences and relatively short chapters; the average being about 10-12 pages long. One of the passages that stuck out for me the moment I read it and echoed in my head every time a Guardian appeared happens on page 174. As Syd and Knox begin their escape, one of The Guardians, the police force who are genetically manipulated to be strong, fast, single-minded in their approach and gorgeous to look at, pursues the two boys. Mr. London describes her pursuit like this: "She moved with  the easy grace of practiced violence. She was built to catch them. This was her nature." 

In addition to the action, Mr. London sends each character on arcs that happen naturally. Nothing in Proxy feels forced and the way he weaves in the dynamic of teenagers getting to know one another, in spite of the life-threatening circumstances surrounding them, possesses something natural that further pulls you into their story. In a word, Mr. London's starring characters -Syd, Knox, Marie - are believable and because of that you feel for them and you root for them.

In his endorsement on the back cover, Mr. de la Peña uses the word "groundbreaking" and, indeed, Proxy is. There are certain traits about each character that we don't often see - at least not obviously and/or with main characters - in other popular YA fiction. Additionally, Mr. London appears to have made a blatant decision to diversify in the ethnicities of his characters and the trappings of his novel. Yet, he does this without stereotype or alienation. There is nothing token about Mr. London's work. Yiddish plays a big part in the novel. Marie's father's name is Dr. Xiao Alvarez. There is a (secondary) major character with dreadlocks. Syd is described as having darker skin. One of the teachers in Syd's school is Indian and so too might be Mr. Baram, Syd's friend and employer; although with what you'll learn about him, he could be Israeli or Jewish. Moreover, while you can identify who the bad guys are and who the good guys are, each character is complex in that they all show traits and reactions from both sides of the right/wrong spectrum. 

I didn't know, when I finished reading Proxy, if it was a standalone novel or the first in a series. After reading the final sentence, I hoped it was a standalone. I say that ironically, though, as I am currently writing the first book in two different series. Obviously, I don't have anything against a book series. However, the ending of Proxy is so powerful that I liked the idea of  the reader having to think about and decide for him or herself what happens to the characters and the world in which they live. Such is the skill with which Mr. London writes, however, because the ending deftly leaves itself open to being continued while, at the same time, the entire story could end where it does without leaving the reader dissatisfied.

Even though I hoped Proxy, based on its ending, was a standalone, I am very much looking forward to reading the Guardian, book two in the series. If you're fan of of Ms. Lu's Prodigy, Veronica Roth's Divergent and, of course, Suzanne Collins' The Hunger Games, as I am, once you've read Proxy, you'll be adding Alex London to your list of favourite authors. 

Book Review: "Legend" by Marie Lu

Book Review: Legend by Marie Lu

In books and films, it is often a bad thing if the reader or viewer can guess what’s going to happen next or where the story is going to end. Sometimes it’s extremely difficult to tell a fresh story from a seemingly hackneyed theme; in this case, dystopia.  Sucker Punch, Terra Nova and, of course, The Hunger Games series come to mind. Picking Legend up at my nearby Barnes and Noble, knowing that it’s the first book in a series, I did turn to the first page with certain expectations for when I got to the last one. So, in that regard, there are certain things the reader can predict but it’s how Marie Lu gets there that is the brilliance of her novel – and her writing talents.

I was first attracted to Legend by its cover. The gold insignia, the sign of The Republic, caught my eye. It made me think of the Chinese character for ‘double happiness’ on boxes of matches that used to come with the cigarettes my father used to send me to pick up for him, when I was a kid in Hong Kong working as the office errand boy. (I’m glad to say that my father stopped smoking cigarettes in 1984.) Then I saw the author’s name and, as an Asian-American myself, there was greater interest in the book. A week or so later, I read a review of Legend in The New York Times’ Book Review. The reviewer stated something to the effect that Legend will fill the void of YA dystopia fans that was created by the conclusion of The Hunger Games series with the last page of Mockingjay. Coincidentally, on the visit to Barnes and Noble, I did buy a paperback of The Hunger Games. I didn’t buy Legend.

My wife read The Hunger Games in three days and went on to buy Catching Fire and Mockingjay and finished both books within the following five days. A couple of weeks later, we were Christmas shopping and ended up back at the Barnes and Noble. I handed my wife a copy of Legend, telling her what the New York Times Book Review said, and she started to read some of its pages. While playing with our son at the Lego table, she came back from the New Releases shelf grinning widely and said, “We have to get this.” And we did.

If you’ve read my blog on reading habits, you’ll know that I read four or five books at a time, devoting 15-20 minutes a day for each book. I like doing that because it keeps me reading and I get to experience a variety of books that fit in with my various tastes and moods. It also means I take longer than most to finish any one particular book. Well, just before the New Year, I started Legend and, a month later, I’ve finished it. I don’t mean that to say the other books I’m reading are badly written or aren’t holding my interest. They are all very good. I’m reading Lisa See, after all. Legend is just that good. It’s been a while since a book kept me turning its pages in such a way that Legend did; a way that makes me want to put everything else aside and just keep reading. The last books to do that for me were The Namesake (Jhumpa Lahiri) and The Road (Cormac McCarthy). Legend is in good – no, great – company.

Lu’s interpretation of Les Miserables, with Los Angeles as its backdrop and Day and June, the two protagonists, taking over for Gavroche and Eponine (Day) and Cosette and Marius (June) in combination and sometimes gender-reversing roles, is fast-paced brilliance. Each character is expertly fleshed out and complex. It’s an old story – the rich power machine versus the poor and struggling – but Lu makes it fresh by creating characters with which the reader can sympathise and emphathise. There is nothing gratuitous in Legend and Lu sets up every twist and turn with meaningful and exciting – sometimes jaw-dropping – payoffs. Whether you enjoy YA books or not, Legend is a must read. It’s entertaining, exciting, well-paced and visual. To say the least, it’s simply a page-turner. It’s excellent, excellent stuff. (That’s two superlatives, folks.) She also tells the story from both protagonists’ points of view, switching between each character in alternating chapters, without repetition of thought or action. She moves the story forward deftly and seamlessly. Reading Legend is like hanging out with Day and June, listening to them tell the same story without skipping a beat or missing a detail.

As I mentioned earlier, The New York Times reviewer said that Legend will fill the void, for fans of YA dystopia, created by the end of The Hunger Games series. Generally, I don’t like to compare books and authors. I believe they all need and deserve to stand on their own and be liked or disliked on their own merits. However, with the Times’ juxtaposition of Legend with the successfully popular series and all the excitement and praise The Hunger Games has received, I can’t help from making my own comparison of sorts. I haven’t read The Hunger Games yet but it’s next on my list of reads for 2012. Lu informed me, in a quick Twitter exchange, that the follow up book to Legend will be coming out this fall. I wish I didn’t have to wait. I wish I could get hold of an advance copy or galley. Unfortunately, I don’t have the resources at my disposable to do that. In the meantime, I hope The Hunger Games can fill the void left by my finishing Legend.

Postscript: Legend has been picked up by CBS Films for a slated 2013 movie release. Naturally, I’m very excited to see the film version and, with Marie Lu on board as an executive producer, I’m sure it’s going to be a great success that maintains her tone and vision. I’m also a big fan of Avatar: The Last Airbender and I was equally excited for the movie to come out. Sadly, in so many ways, I was disappointed. The casting, in particular, left much to be desired.  Please, Ms. Lu, make sure the casting stays true to your vision and doesn’t fall prey to Hollywood’s whims and/or its deep pockets.