About Me

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Mabuhay! I'm an Asian American writer (Back Kicks And Broken Promises, Abbott Press, 2012), martial artist and teacher who was born in The Philippines, raised in Hong Kong and ended up in New Jersey.
Showing posts with label Writer's Digest. Show all posts
Showing posts with label Writer's Digest. Show all posts

12 February, 2013

One Year On - Ten Things I Learnt The Year After My Book Came Out

 One Year On - Ten Things I Learnt In The Year After My Book Came Out

A year ago, on 7 February, my debut novel, Back Kicks And Broken Promises, came out. After years writing and creating several versions of the work, and after thoughtful feedback from fellow writers, I decided on first person POV and a linearly told story. Also, after some positive responses, over three years of trying to solicit an agent but failing to do so, I decided to self-publish and get my book ‘out there.’ Overall, I’m happy with my decision to go indie but, as with anything else, hindsight is twenty/twenty and there were some lessons learnt.

Here are the ten most influential things I learnt about the publishing process and myself, as a writer, over the last twelve months. For those of you who’ve already published, indie or traditional, they might be lessons you’ve yet to learn or they might be things that happened to you as well. And, if that’s the case, feel reassured that you’re not alone. If you’ve yet to publish, maybe my experience may benefit you as you forge ahead in publishing your own work.


1. Believe in myself. When I began the publishing process, and after my novel came out, every discussion I had with a rep from the publisher, every production item I approved (cover, inside layout, etc), every email I sent to a bookseller, I left with feelings of doubt. I second-guessed everything. After all, who would want to read anything I’d written? What did I know about any of this, having never done it before? I kept thinking that anyone I tried to promote my novel to would think that I was just some guy who wrote a book - and, everyone can write a book, right? Big deal. But, once I calmed myself down, I reminded myself that I’d taken this book through three rounds of workshops at The Gotham Writer’s Workshop in New York City, one of the best (my and others’ opinions) and most respected writing programs around. I’d done the hard work. No one panned my work and some of my fellow writers even picked out sections they really liked. I also realised that my book does not define me as a person. The book that came out last year, Back Kicks And Broken Promises, is fiction, while also being semi-autobiographical. In that regard, it is very personal. I also put a lot of my life into the writing and production of the book but, even then, if it’s hated or loved that doesn’t meant I’m hated or loved. As a writer, I can be judged by my work and how it moves the reader but it doesn’t define me as a man.

2. Promotion is hard. I knew, going indie, that I was going to be responsible for the promotion of my book. Even some traditionally published authors have to do their own promoting. From what I’ve read and heard at conferences, it’s the big names - the Kings, Rowlings, Meyers, Picoults, Franzens, etc - who get their publicity done for them. Even then, some of are still doing their own promoting. Many of us who indie-publish still work a day job (and maybe a night or second part-time job) and, like everyone else, we have other parts of our lives that need to be taken care of. So, promoting one’s work can, sometimes, be that ‘extra’ thing to be done at the end of an already long and arduous day. Nonetheless, it has to be done. A Facebook page, a website, a blog and a Twitter account are the minimum you’ll need. You’ll need to build your platform; the 'who you are, what you’re about' centre of your writing and public persona. Do all of that even before you get your book into a publisher or agent’s hands.

3. Print out pages. I thought I was being efficient when I reviewed the PDF copy my publisher sent me on my laptop. Papers can get bulky and we’re in the ‘e age’ anyway, right? On some level, too, I thought I was saving money. However, looking back, I regret not printing out a hardcopy. PDFs don’t always look like a Word document. They’re not brightly lit. It looks like the page in a book and, sometimes, on the screen, unless you magnify a lot, they can be hard to read. Add to that, I probably need a new glasses prescription and I do most of my writing at 3am, with tired eyes, so I was bound to make mistakes and miss things. A writer will always miss stuff in his own work. That’s normal but it doesn’t help when he doesn’t review the final copy the properly. As a result of my efforts at being efficient, I discovered some typos in the final product that I need to correct. And I will correct them but that’s another out of pocket expense with the publisher. If I had printed out pages, I might have caught more of the errors I missed.
4. Have a budget before you start (It doesn’t have to be a big one). When I decided to self-publish, it was the end of the summer. It wasn’t until the following December and January when I had to start paying for things. The money was there for the publishing process. It’s the after stuff where a pre-determined budget comes in handy. Revisions (beyond the free first round), promotion, entering contests for self-published books, paying for book reviews (from companies like Kirkus Indie or Blue Ink) are where the budget will really be needed. Treat your writing as a business, if you’re looking to make a profit, from the start and not just after the book comes out.

5. POD (Print-On-Demand) pricing can be prohibitive. I published through Abbott Press, A Writer’s Digest Company, and I’m very happy with what they did for me and for my book. Probably, the only thing I wasn’t happy with is the retail price of my books. The ebook, at $3.99, isn’t bad. The hardcover, though, at $39.99, and the paperback ($22.99) are not so favourable. It was explained tome that the number of pages of my novel and because of the POD mode of publishing, the cost will be higher than traditionally published or small press books per unit for the reader. Outskirts Press, another POD company, has an option that allows the author to price his own book but it has limits and will reduce royalties. Even with this option, the price to the consumer is still on the higher end. If I indie-publish again, I might go a different route. Amazon’s Createspace, I believe, allows the author to determine his book’s prices but I think they specialize in ebook and paperback formats and not hardcover. Or, I might try a fixed run at a small press or something in the middle, like Book Baby. So, before you publish, make sure the end retail price is not going to price your book out of sales. Good writing will trump a high retail price but we live in leaner times and consumers are tighter fisted with their resources.

6. Learn formatting and industry specs. I mention this, specifically, because of my book’s cover. I’ve gotten a lot of praise for my book’s cover. And, after reading it, you’ll see how it fits nicely with the plot and theme. What I learnt about a book’s cover, when I got my feedback from the judges of The Writer’s Digest Self-Published Book Awards, is that a book’s title should be readable from six feet away. This makes it better seen on a bookshelf, which is key if the book makes it onto a shelf in a bookstore. Unfortunately, I didn’t know this and, while my book is aesthetically and stylistically appealing, it doesn’t meet this standard.

7. Make connections. Writing is a very lonely profession. The people around me - my wife and my close friends - have been, and continue to be, very supportive. However, unless they’re also writers, I don’t think the people around us can truly appreciate the isolated and internal way of life being a writer is. Having said that, however, unless you’re Forrester, Sean Connery’s character in Finding Forrester, writers need support from other writers. Whether it’s to promote each other’s books, beta-read first drafts, offer suggestions to battle writer’s block, writers need writers. We can find each other on Twitter but, more specifically, connections are also made in website communities like The Independent Author Network, Your Book Authors, Goodreads, Scribophile, and others. More than the tangible benefits you can get from being connected to other writers, there is the sense of community you’ll feel. In addition to be pursuing a, naturally, lonely endeavour, writers also need validation. This doesn’t mean we need to be told our work is brilliant, whether it is or isn’t. Rather, it’s reassuring to know that our efforts and reasons for writing, as varied as they are, are worth something and that we are not alone, even if we’re lonely. Through the connections I’ve made and re-made since my book came out, I and/or my book has been featured in two newspapers, a magazine and reviewed once. At the time of this writing, Back Kicks And Broken Promises is being reviewed, for free, by Indiereader.com thanks to a connection I made.

8. Always have a copy of your book with you. You never know when you might be in a position to promote your work. You never know whom you might meet someone who has contacts and can/will/might talk about you and your book. Sometimes, though, you do and you’re not prepared. Last year, after reading Legend, I emailed the author, Marie Lu, to tell her how much I loved the book (her debut novel) and that I’d written a review of it. She was very flattered by my review and since then we’ve had some Twitter and e-mail exchanges; enough, I think, to the point that she might actually recognize my name. Well, shortly after our first email exchange, she gave a reading and book signing with three other authors in New York City. When I lined up to get my copy of Legend signed, Marie looked at me with recognition, probably from my Twitter picture. As we chatted, she asked if I had a copy of my book. Ugh! I didn’t and I kick myself (metaphorically) every time I think about this episode in my life. Having had a copy of my book to give her might not have led to anything but, then again, who knows? The worst part about this story: I’d thought to bring one then I decided against it, fearing I’d come across as presumptuous. Then, I decided to bring it anyway but I left it on my dining table.

9. Enter contests. Apart from the chance you might win or place - and many contests come with some kind of publisher/agent contact as a prize - you often get valuable insights into your book and/or a review of some kind. Most require some kind of entry fee (see Number 4 above) but it’s not usually so large that it’s unaffordable. I participated in NaNoWriMo last November and I completed the challenge. I ‘won.’ I finished writing the first draft of a novel in thirty days, which has jumpstarted my writing and there are even tangible prizes that come with it. I can get free copies of my book from Createspace and there are several discounts for various writing resources, as well. So, contests and challenges are beneficial.

10. Believe in my work. As soon as my book went live, butterflies lived inside me for a good two weeks. I was filled with anxiety that no one would buy my book. I’m pretty sure that’s common for every writer. More than that, however, were feelings that the entire reading world would buy my book and call me out as a hack or fill my blog comment form and email inbox with challenges to every thought, word, reference, you name it that I put to paper. My fears, so far, haven’t come true. My book has made some sales, although VERY modest numbers, and no one has taken me to task on the content of my book. It’s fiction, after all, and semi-autobiographical at that. Even if someone were to come at it/me, I’ve come to accept that (and I knew this before) some people will love my work, some will hate it, and some will be indifferent to it. Either way, I wrote a book that has received more words of praise than otherwise and I did so with full commitment of mind, heart and soul. I hope it will entertain, educate and touch the minds and hearts of its reader and, from the feedback I’ve gotten, it has done that.

So, that’s what I’ve learnt about writing, publishing and myself since my book came out a year ago. As I work on my next book, the first in a Chinese-American fantasy series, I have some wisdom to turn to and an awareness of things to do, do better and to avoid. I don’t plan on indie-publishing for my next book, but I didn’t either for my debut novel. Hopefully, I’ll catch the proverbial break and get agent representation and a book deal. In the meantime, I’m going to tap my keys like the rest of us.

I hope what you’ve read here is useful in as you pursue your writing endeavours. If you have insights of your own, please share.

Happy writing all!



30 November, 2012

50,972

 
Let me start by wishing everyone who participated in the NaNoWriMo challenge congratulations. Whether you got to at least 50,000 words and finished writing a novel or not, you did make a commitment to your writing pursuits and that’s no easy feat. Many of us don’t have writing as our one and only job and, therefore, don’t have eight or more hours a day to use on writing, editing, thinking about writing, etc. I know, for me, it’s frustrating to get into a writing groove only to have to switch gears and get to my fulltime job. Now, however, with that self-imposed pressure to write at least 1,667 words a day over - and let’s face it, it is self-imposed because no one said we had to do NaNoWriMo - let’s all take that drive we reenergized our writing with and continue it the rest of our writing lives. Well, at least for the months ahead. Let’s take our manuscripts and edit the hell out of them. Let’s go to conferences, workshops and writing classes. Let’s serve as beta-readers for our fellow writers. (I am looking for some test readers so if you’re interested, shoot me an email or reply to this post.)

The month, in a strange way, worked out well for me. Hurricane Sandy killed our power so I had nothing to do but read and write. I was scheduled to run in the New York City Marathon, which, for me, would have been a six-hour endeavour. With the race getting cancelled, I was able to take what would have been running time and add it to my writing hours. Sandy also kept school closed for several days. As a teacher, then, I didn’t have to report in and had more time to write and, even when school did resume, the first couple of days were half days so I still had the afternoons to work on my manuscript. Then came Thanksgiving, with days off from work and, just this week, I was home sick. Who’d have thought being sick would turn out to be a good thing? Anyway, there’s only so much sleeping and mindless TV watching one can do. So, once my wife left to drop off our son at day care and go teach her Gyrotonic, Pilates and dance classes, I took down my Airborne, made a cup of tea and made the dash to the finish. By mid-morning on Wednesday, I’d finished my novel, albeit a first draft at 50,972 words. That’s the validated number by NaNoWriMo’s word counter. My Word application had it at 50,979 but, really, what are seven words when you’re already over 50K?

There have been claims that the NaNo challenge is a waste because it produces some really bad novels because participants are working at a feverish pace and encouraged to silence their inner editors. Well, firstly, I have to say what’s ‘bad?’ Maybe the writing, plotting, character motivations, scene descriptions, and so on have to be worked on but, whether you get a first draft done NaNo-style (Hmm, can we start a NaNo dance in the vein of Gangnam Style?) or in a less harried and more thoughtful way at a more leisurely pace, the idea is to get a first draft done. Marie Lu, the author of the highly successful dystopian Legend, tells writers not to fear writing badly when they start. Most books I’ve read on writing, in fact, and conferences and classes I’ve been to remind us that the first draft is going to be junk anyway. It’s rare - if ever - that a manuscript doesn’t need editing, cutting, revising, revamping before it can be shown to an agent or publisher or editor. Secondly, sometimes a ‘bad’ novel isn’t really a ‘bad’ novel. It’s sometimes labeled ‘bad’ simply because the reader didn’t like it. I haven’t read Mockingjay but I do have friends who’ve said it’s horrible. (I just started Catching Fire so it’ll be a little while before I can decide how I feel about Mockingjay.) Others, meanwhile, have loved it. 

One reviewer didn’t enjoy my own novel, Back Kicks And Broken Promises, saying it “failed to deliver.” Others, however, thoroughly enjoyed it giving it five-star reviews at Goodreads and at the publisher’s, Abbott Press, website. Among those I know who’ve read it and enjoyed it are two English professors, a boxing journalist, a black belt and a writer. The judges of the Writer’s Digest Self-Published Book Awards said Back Kicks And Broken Promises is “…interesting, well-written, and inspiring. The themes of identity, father-son relationships, and coming-of-age are nicely woven into the martial arts metaphor that serves as the organizing principle of the book."

So, bad isn’t really always bad.

But, I am writing this post, really, to say thank you to the NaNoWriMo people again. I finally signed up for the challenge this year and I can say, as NaNoWriMo does, “I won.” Now, it’s up to me to keep winning by revising, boosting my word count to get to about 70-80K and to edit and polish my manuscript so Sage of Heaven becomes the best book it can be; is enjoyed by all and not just the Asian-American YA audience it is ostensibly geared for.

Thanks to The Office of Letters and Light and congratulations to those who did and are still doing - at the time of writing this post there are still eight hours left to finish and get to be called a winner - NaNoWriMo 2012. Happy writing to all!

08 January, 2012

Epiphany

Today’s the Epiphany, the day the three kings got to Jesus and gave Him the gifts of gold, frankincense and myrrh. I believe today is actually the day the Greek Orthodox celebrate for its Christmas celebration. For me, as a Catholic, it’s the end of the liturgical Christmas season and the day that my family takes down its Christmas decorations and puts our tree out into the curb for pickup.
It’s refreshing, in a way, to move on with regular life again (as if that hasn’t already happened with the return to work and the disappearance of Christmas carols from the radio and, just about, everywhere one can go in November and December) but it’s always a little bit of a bummer during the removal of Christmas lights from the tree and seeing the red and green all but gone from our living room. Perhaps it’s from some kind of unresolved childhood issue or missing a big family gathering like I used to have as a kid - and not just any family gathering - or maybe it’s from some other kind of longing that I can’t quite pinpoint or maybe it’s just from the holiday blues but I always have a sense of something isn’t quite finished, that Christmas was somehow incomplete. It has nothing to with the presents I did and didn’t get, did and didn’t give. Like I said, I can’t pinpoint it.
Regardless, this Christmas was probably the best I’ve had in years and, like I mentioned in a previous post, that’s largely because of Jude and his awareness of things and how excited he was. Next Christmas he’ll be more aware and maybe we can revel in his excitement all over again and do a better job of surprising him with his gifts and teaching him the miracle of the season.
Our New Year’s celebrations were a nice wrap up to the season. Other than when we visited The Philippines in 2010 for Christmas and New Year with our families, normally we just ring in New Year at home in a very low key manner. If memory serves me right, in 2009, I think we – Jude, Guada and I – actually went to bed before the ball drop on Times Square. Yes, we actually went to bed. We didn’t fall asleep watching TV and tried to stay up for the countdown. This year, our friends Ani and Sam came over, ate dinner, drank champagne and stayed the night. We stayed up, watched the ball drop, watched clips of Russell Peters on YouTube and laughed a lot. The following day, I got up and went for a four mile run with our dog, Bauer.
I didn’t make any resolutions for 2012 until later in the week. I stopped making resolutions years ago. Yes, every year I vow to get back into shape and improve my fitness. I vow to spend less. I vow to laugh more and be more social. I don’t make these as resolutions because I believe these are things that should be done all the time and not just promised on January 1. On January 2 or 3, however, Writer’s Digest Magazine tweeted if any of us writers had made any resolutions. With my novel coming out in the next few weeks, I decided that I would be a more disciplined writer in 2012.  To that end, I plan to write a screenplay adaptation of my debut novel, Back Kicks and Broken Promises, and finish the first draft of my work-in-progress, Sage of Heaven. Other than that, it’s a case of ‘same stuff, different year.’ I just want to do the ‘same stuff’ better.
So, as the season ends, I want to wish all of you best of success, health, happiness, contentment and whatever else you might want for 2012. If you’ve made resolutions, go for them and I hope things don’t conspire against you so you fail to keep them. And, for the last time until December 25, 2012 and January 1, 2013, let me wish you a final Merry Christmas and Happy New Year.